Dia 7 de setembro, sábado, às 16h, Fábio Caramuru apresenta obras de Tom Jobim e de seu projeto EcoMúsica, em concerto gratuito, como parte das comemorações dos 100 anos da cripta da Catedral da Sé.
Elementos naturais esculpidos na Catedral da Sé são o ponto de partida para este concerto. A partir da identificação das nomenclaturas de espécies presentes em relevos e esculturas (realizada pelo botânico Anderson Santos*), foi elaborado um recorte de obras musicais de Tom Jobim e Fábio Caramuru relacionadas à natureza. Flores, frutos, pássaros e outros itens também serão lembrados em interpretações de obras como Sabiá, A Correnteza, Cigarra e outras. Perpassa a apresentação a lembrança de como era espaço de mata ocupado hoje pela Praça da Sé.
O concerto abre o recorte de uma série de 6 apresentações que abordarão diferentes momentos e camadas históricas da Praça.
*Anderson Santos é Mestre em Biodiversidade Vegetal e Meio Ambiente, criador e diretor da Escola de Botânica e apresentador do Terra Brasil (Animal Planet / Netflix).
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Recentemente tive a oportunidade de passar uma temporada de duas semanas no Canadá, a convite da amiga Ana Thomas, diretora do Café & Cultura Toronto, para celebrarmos o quinto aniversário dessa importante organização dedicada ao fomento da cultura brasileira no Canadá. Para marcar essa data, realizei uma apresentação no prestigiado Granite Club, de Toronto, ao qual compareceram cerca de 300 pessoas, incluindo canadenses, brasileiros residentes no país e autoridades do corpo consular brasileiro. O concerto ‘EcoMúsica Project | Tribute to Tom Jobim inspired by the sounds of Brazilian Nature’ contou com peças do repertório autoral EcoMúsica, intercaladas com obras de referência de Tom Jobim. Foi bastante gratificante a reação do público, que me cumprimentou com entusiasmo e em seguida compartilhou as sensações que o concerto provocou, quase sempre com termos como paz, tranquilidade, beleza e saudade do Brasil. Detalhe à parte foi o excepcional Grand Piano Fazioli, obtido para o concerto, em parceria com o Pete Martin, da Remenyi House of Music. Foi um imenso prazer tocar num dos melhores instrumentos fabricados no mundo.
Para divulgar o evento, participei de diversas entrevistas em órgãos de comunicação canadenses, como a Omni TV (Camila Garcia), Camões Radio (Adriana Marques e Adriana Paparella), Radio Canada (Isabelle Fleury) e CHIN Radio Canada (Fatima Martins).
Tive a oportunidade de encontrar alguns brasileiros que se estabeleceram com sucesso em Toronto, como o Rafael Luz, regente da North York Concert Orchestra, o consagrado muralista Christiano de Araujo, o chef Sergio Shidomi, o músico Henrique Matulis, o empresário, Sergio Frias, o professor de marketing Youssef, a osteopata e amiga de longa data Cassia Rocha, o jornalista José Francisco Schuster, entre tantos outros.
Foi bastante interessante também o contato pessoal feito com o diretor artístico do Koerner Hall, Mervon Mehta, que nos convidou para um concerto especial no qual foi anunciada a temporada 2020/2021 daquela importante sala de concertos de Toronto.
Preciso destacar o fundamental apoio recebido do Consulado do Brasil em Toronto. A Cônsul, Ana Lélia Beltrame, apoiou a divulgação do projeto EcoMúsica com muito entusiasmo. Destaco também o empenho do Cônsul, Ademar Seabra da Cruz Junior, em me orientar em diversas atividades, apresentando-me também à Embaixada do Brasil em Ottawa, onde fui muito bem recebido pela Caroline Quintas, representante da Área Cultural.
Na volta de Ottawa para Toronto, tive a oportunidade de passar um fim de semana numa belíssima casa de campo, na beira de um lago, em Calabogie, à convite do casal Lana Novikova e Denis Pal, onde pude comemorar o sucesso do concerto com meu sócio Alexandre Barros, nossa anfitriã Ana Thomas e sua dedicada assistente Suelen Conrado Macena.
Para selar a temporada, a Cônsul Ana Lélia Beltrame e a Ana Thomas organizaram um brunch com a presença de cerca de 30 pessoas, com diversos amigos e autoridades.
Finalizo esse breve relato, registrando mais uma vez os agradecimentos para as queridas Ana Thomas e Suelen Macena, sem a quais essas experiências incríveis não teriam se tornado realidade. O Canadá é um país espetacular, multicultural por vocação e aberto à multiplicidade de expressões. Foi uma temporada memorável!
Bossa Online Magazine
The symphony of the birds
INTERVIEW WITH FABIO CARAMURU BY MADALENA SOUSA – EDITOR IN CHIEF – BOSSA MAGAZINE
Whether in the forest, the countryside, or even in the midst of the noise of the big city, has always been an inspiration for the work of great masters of music, such as composers Tom Jobim and Chico Buarque, authors of the verses of the Sabiá song. However, the melodies emitted by about 10,000 species, spread throughout planet Earth, has brought contributions, which go far beyond art. The use of bioacoustics is one of them – a tool that has been fundamental for the discovery of the real diversity of birds in the Amazon Forest.
Inspired by the variety of sounds in the forest and passionate about nature, the composer and pianist Fábio Caramuru created the “Ecomúsica Project”, an artistic initiative based on the sounds of nature. “Music is always created from the sound of an animal.” The purpose is to make audio and video recordings and produce live concerts related to nature, bringing together music and the environment.
Fabio Caramuru (1956) studied in Paris in the 1980’s with the legendary pianist Magda Tagliaferro (1893-1986), with a French Government scholarship. He won several awards, and has been playing regularly – solo or with an orchestra – in Brazil, USA, Canada, Asia and Europe. After dedicating himself for several years to a conventional pianistic career, Fabio expanded his area of per-formance in 1997, when he did research and created arrangements and recordings based on the songs of the Brazilian composer Tom Jobim, in order to record a CD and for his masters degree at São Paulo University.
In 2004, Fabio started to develop a differentiated work by releasing ‘Moods Reflections Moods’ and ‘Bossa in the Shadows’. He has also created the duo ‘Brazil on Two Pianos’ alongside the pianist Marco Bernardo, dedicated to the Brazilian repertoire. Highlights of his solo career are concerts at ‘Europalia International Arts Festival’ with the ‘Brussels Philharmonic’, with the ‘Sao Paulo State Symphony Orchestra’ and ‘Jazz Symphony’ in Brazil, as well as shows at locations such as ‘Zinc Bar’, in New York City, the ‘Moods Jazz Club’, in Zurich, and ‘Havana International Jazz Festival’, in Cuba. The project has already presented the albums ‘EcoMusica|Dialogues between a piano and Brazilian fauna’ (2015) and ‘EcoMusica | Aves’ (2018).
The first brings conversations between the piano and 16 species of animals found in Brazil – birds, insects and amphibians. In addition to the sounds, the natural scenes are part of the productions. The second brings pieces interacting with the sounds of 20 different birds found in Japan and it was totally inspired by Fábio Caramuru’s 2017 ‘EcoMusica Japan Tour.’ “My trip to Japan was decisive inspiration”, says Fábio, who organized a special concert to celebrate 110 years of Japanese Immigration in Brazil.
“The album ‘EcoMúsica | Aves’ brings sounds of different species that fly over Japanese territory. Caramuru, creator of the concept, highlights the importance of the sounds of nature for the compositions. “The creations are not merely illustrated by the sounds and images of nature, but rather conceived from these elements, in a process of true interaction and harmony,” says the musician, who believes in the project as a mission. “I believe that this didactic and environmental mission of highlighting the songs of animals is very important. Many are already extinct, usually by the action of man, Among the compositions are the songs “Uirapuru”, a bird known popularly as a musician or mustache, “Canário da terra”, a species admired for the strong chirping song, “Sapo cururu”, an amphibian that emits a serious and repetitive sound , and “Harpia”, music inspired by the strong song of the species, which is in danger of extinction in the Atlantic Forest,” explains the author.
The Cigarra, an insect whose sound can reach 120 decibels, also served as inspiration for one of the album’s songs. According to the composer, using sounds in the works that sometimes bother people is a way to make them admire nature. “I think it works. You put focus, a careful and reverent look at the animal.” he said.
In his new released album, “Dialogues of a piano with Brazilian fauna” proposes a dialogue between the instrument and sounds of birds, insects and an amphibians. Although unusual, this work is not a detour in the life of this artist. He used recorded sounds from the Unicamp University’s Fonoteca Neotropical Jacques Vielliard (FNJV), and is the beginning of a larger project dedicated to uniting music and the environment.
Despite having pursued a traditional career as a classical music performer – and having had the privilege of being one of Magda Tagliaferro last students – Fabio has always demonstrated that his musical interests spanned a broader spectrum, be it as an interpreter / arranger of Tom Jobim’s work, or as improviser / creator in recordings such as Moods Reflections Moods, to cite just two examples. “Although I enjoy this (traditional) repertoire, I have been dedicating myself for the first time to my own language, in tune with a strong desire to create with freedom, to be coherent and sincere musically,” he says.
In the recording “Dialogues of a piano with Brazilian fauna”, Fabio worked with Unicamp’s (University of Campinas) collection of phonograms. The first selection had almost thirty recordings of sounds picked up by experts. There were records of some mammals as well. He ended up opting for the ones that he considered most appro-priate to the concept of the CD: “I wanted to perform a delicate and subtle work in which the recorded sounds had the greatest potential to amalgamate with the piano. I also tried to approach sonorities of familiar animals. With the exception of “Uirapuru”, I have seen and heard personally all the animal “participants” on the CD.” he says.
After listening to the sounds, over the course of about 30 days, Fabio created the structures and motives that somehow made sense to dialogue with each recording. There were many images, memories of situations and places where he could hear them throughout his life.
In his own words, Fabio explains how the sound of a bird can lead him to see the whole universe around him: “For example, when I heard the “Quero-Quero”(Bird), a vast field was drawn in my imagination, with little vegetation. The white Anu sent me to a desolate place, with many clouds. And the cricket and the mysterious “Uirapuru”, presented more nocturnal sounds.”
The idea was to use different composition procedures: imitation (bem-te-vi, sabiá, araponga), integration (cicada), contrast (tuim), accompanied melody (tangará), among others. Note that the structures are simple and repetitive so that the listener can indulge in hearing the different bands as if they were intonation mantras.
To end our interview I asked Fabio what was the idea behind the Eco-Music project.
FC: EcoMúsica is a project that provides audio and video recordings of various themes related to the Brazilian nature. There are a multitude of animals and places that can generate new work. The original idea was to install a piano in wild environments and dialogue with the animals, with the images and sounds characteristic of the landscapes. In April, we released the first video, “Cigarra”, recorded on a farm in the municipality of São Carlos, SP, which already has had 30,700 views on YouTube [fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][ type=”1_1″ background_position=”left top” background_color=”” border_size=”” border_color=”” border_style=”solid” spacing=”yes” background_image=”” background_repeat=”no-repeat” padding=”” margin_top=”0px” margin_bottom=”0px” class=”” id=”” animation_type=”” animation_speed=”0.3″ animation_direction=”left” hide_on_mobile=”no” center_content=”no” min_height=”none”][click here to see] The basic principle of the project is the strong impulse that I have to create music in tune with what Brazil has that is beautiful, positive and surprising. I respect many musicians who go through conventional careers, interpreting the traditional repertoire. This requires exceptional dedication, many hours of study and living in an environment with considerable comparison and competition. Although I like this repertoire, for some time now. I try whenever possible to carry out projects that reflect my intimate artistic needs at the moment. This was the work with Tom Jobim, Camargo Guarnieri and Inah Sandoval in the 1990s, with the children’s CD Dó Ré Mi Fon Fon (2002), with free improvisation works (Moods Reflections Moods and Bossa in the Shadows) and now with the CD Dialogues of a piano with Brazilian fauna, the first accomplishment of the project EcoMúsica. In parallel, soon, Echo Promociones, a company that produces cultural events that I created in 1988, will hold the “Afro-Brazilian Concerts”, which will highlight the rich production of Afro-Brazilian concert music. With these projects, I always strive to prioritize the national culture. It is also important to mention that the CD is a tribute to my father, Ronald Caramuru, who left us in 2015, author of the illustrations of birds that illustrate the CD “EcoMúsica Conversas de un piano com a fauna brasileira”. (“EcoMúsic / Conversations of a piano with the Brazilian fauna”.
MS: Fábio has performed ‘EcoMúsica Concerts’ in major venues in Brazil, such as ‘Sala São Paulo’ and ‘Auditório Ibirapuera’, interacting with sounds of the animals and the images projected on a large screen. The ‘EcoMúsica Videos’ have been recorded in natural, stimulating locations, taking the piano, and other artists, to amazing places, such as the Iguazu Falls, the mountains of the Rio de Janeiro State and the Brazilian countryside.
‘EcoMúsica Videos’ has already released Cicada (2016), Tico-Tico (with choir, 2017), Bem-te-vi (with choir), Harpy Eagle (with the dancer Ismael Ivo), Macaws (2018) and Hidorigamo (2018).
By Madalena Sousa/Editor In Chief
O duo Brasil em Dois Pianos se apresenta no Esporte Clube Pinheiros, sábado, dia 10 de março de 2018, às 20h30.
Formado por renomados artistas, o duo criado por Fábio Caramuru e Marco Bernardo vem se dedicando à divulgação da música brasileira, adaptada para dois pianos ou em arranjos solo.
Fábio Caramuru é um dos maiores especialistas do Brasil em Tom Jobim, tema de seu mestrado pela ECA-USP. Lançou em 2007 o CD duplo Piano – Tom Jobim por Fábio Caramuru.
Marco Bernardo, por sua vez, é nome de referência no país quando se trata do legado de Radamés Gnattali. Em 2012, lançou o CD duplo Radamés Gnattali: Integral dos Choros para Piano Solo.
Convites:
Associados R$ 25,00
Convidado de associado R$ 45,00
Vendas na Central de Atendimento
Esporte Clube Pinheiros
Rua Angelina Maffei Vita, 493 | Jardim Europa
São Paulo | SP
Informações | 11 3598 9700 ou http://www.ecp.org.br/
Fábio Caramuru realiza Magda Fest em parceria com Fundação Magda Tagliaferro, novembro de 2003
Caramuru concebeu esse grande festival, com a participação de diversos artistas (com destaque para os pianistas Gilberto Gismonti, Eduardo Monteiro, Fabio Martino, Ronaldo Rolim e do próprio Fábio), que ocorreu no Espaço Promon e no Teatro do Colégio Santa Cruz. Com patrocínio dos Correios, foi lançado um CD com as gravações de todos os participantes.
De 4 de junho a 26 de novembro de 2003, Fábio Caramuru produziu uma série de concertos para a TUCCA – Associação para crianças e adolescentes com câncer.
Os concertos ocorreram na Sala São Paulo e no Theatro Municipal de São Paulo.
![Assinaturas Concertos Tucca - 2003](https://fabiocaramuru.com.br/wp-content/uploads/2020/08/Assinaturas-tucca-2003-751x1024.jpg)
Fábio Caramuru se apresentou na Arizona State University, EUA – USA, em 20 de janeiro de 1999, a convite do pianista e professor Caio Pagano. Na ocasião, tocou obras de Tom Jobim, além de fazer uma palestra sobre o compositor para professores e estudantes.
Concert Fábio Caramuru – Arizona State University – USA
Em agosto de 1998, Fábio Caramuru foi solista em concerto com a Orquestra de Câmara da Unesp, sob regência de Ayrton Pinto. Na ocasião, Caramuru interpretou o Concerto para piano e Orquestra K 414 em Lá maior. O concerto ocorreu no Mube.
Fábio Caramuru se apresentou na Escola Superior de Música de Karlsruhe, Alemanha, em 3 de junho de 1998, a convite da pianista brasileira Fany Solter, que na épora era reitora dessa renomada instituição.
No concerto “A Tribute to the King of Bossa Nova: Tom Jobim”, Caramuru apresentou obras do rei da Bossa Nova.
A apresentação também contou com a cantora Marcia Taborda.
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[/][/fusion_builder_row][/fusion_builder_container]Fábio Caramuru coordenou, em parceria com a Fundação Magda Tagliaferro, o projeto Piano no Mube.
De agosto a novembro de 1997, foram realizados diversos concertos, com a participação de renomados pianistas, tais como Arthur Moreira Lima, o próprio Fábio Caramuru, Flávio Varani, Caio Pagano, Antônio Bezzan, Yara Bernette, entre outros. O projeto foi financiado pela Prefeitura de São Paulo.